As a general rule, RAW files are not included in either photo or video contracts. Think of it like going to a restaurant—you wouldn't ask for the eggshells after ordering an omelet! My focus is on delivering a polished, high-quality final product that reflects the vision and professionalism I bring to every project.

However, there is an exception to this policy. If I am specifically booked for filming only, such as by an agency or production company where my role is strictly as the cinematographer/videographer, then the delivery of RAW files can be arranged. This must be discussed and agreed upon production to ensure all expectations are clear.

If you have any further questions or specific needs, I'm always happy to discuss them with you!

It's not as simple as putting a flat price on something as modular as a video project.

Some clients want a full-scale production with a crew, location scouting, rentals, props, and a post-production team working together to deliver something truly polished.

Then there are clients who prefer a more streamlined approach, perhaps just a one-person crew with no frills.

I offer solutions that cater to both ends of the spectrum—and everything in between. The best way to get an accurate estimate is for us to discuss your project in details. Click on the contact page, and let's chat!

The timeline really depends on the scope of your project.

Photography projects typically have a faster turnaround—sometimes within just a few days. Videos can take a bit longer, especially with more complex edits or multiple revisions, and may stretch over a few weeks.

However, I work very efficiently, and as long as we stay aligned during the review process and don’t need too many adjustments, it’s unlikely that the project will take a lot of time. We’ll discuss the timeline in detail at the start, so you’ll always know what to expect.

Absolutely!

If you need help conceptualizing your project, I can provide scriptwriting, mood boards and creative direction, depending on what we agree upon. Whether you come with a fully fleshed-out idea or just a general concept, I can step in as much or as little as needed to bring your vision to life.

The number of revisions depends on the package and pricing we discuss beforehand. My standard includes two rounds of revisions, but if you need more, we can build that into your project. The key is to make sure we’re on the same page from the start, so revisions are minimal and the process moves smoothly.

I’ve worked with a wide range of equipment, from drones and gimbals to different sound setups, Sony consumer cameras and high-end cinema cameras like the RED Monstro, RED Komodo and Blackmagic.

Virtually any gear you can imagine is on the table—it all comes down to the budget and the needs of your project.

We’ll work together to choose the best tools for the job while staying within your budget. Go to the contact page and let's have a chat.